Hi everyone, for those followers and for those newcomers this blog is dedicated basically to Slice and the STW project. today instead of a post talking about stuff, I am writing to deliver a request for support (not money so please read on).

This is a home DIY project and I am trying to cover all needs on a 0$ budget. So far we are very much on our way as you can read bellow. But there are some areas where I could do with a little cooperation from anyone willing to give a hand. This is a formal request for help to anyone in the photography, video or film worlds (amateur or professional). I will explain in more depth what it is we have not fully covered on private correspondence via email.

All the final material will include credits to all collaborations.

Pleas reach me at iaburt@hotmail.com         

Last upload by Slice.

Coming together.

Thing seem to be falling into place, in a slow but constant rhythm. to explain why this is true I need to give the background first. We started the STW project beginning of August last year 2011. At that time we only had a rough idea of that we wanted to achieve. One of the first things we did was buy a large size note pad so we could get everything registered and down on paper.

So we had an idea and a pen and paper, and off we went into moulding the idea into the shape of a project. Slice who is the original generator of the idea, needed to mature it a bit before getting down to detail. Slice is a musician so he gave it the all musical approach. I was left to take care over all rest of  tasks, of managing and producing the project.

follow the link Initial Blog posting for STW..

So here we where with a master piece of rock and roll, we had a pile of songs that said a story and Slice was going to cover them. We would put them up on YouTube as a  collection and as a single track. But what where our goals.

    1. Engage you tube visitors, with appealing music, covered by a 16 year old.
    2. Try to be true to the original story, music and authors.
    3. Attract people to share this work and expand the music & videos as much as possible.


We could approach al these as Slice had approached his earlier videos, live recorded in his room with the original in the background and him playing over it, where sound was all ambient. This would be a problem, since recording different dubs and instruments in this way makes it very hard to get a good audio quality. On top of that we had the issue with the video. Video presented a few problems the light, the takes where going to be very uneven different light and day times, making later editing a headache. The screen real-estate was an other issue, since we had as many as 6 videos of different takes on screen at the same time in some places. with raw video this would be unmanageable, meaning that we would have to use some of the editing techniques of the many available in this field. Finally a 100 minute video needs to provide more video dynamics than just a group of musicians (all the same person) on still camera. The video needed to engage and maintain the viewers interest for a long period (we still need to see if we can achieve this).


Ok, Goals set! Now we needed to set the requirements. What do we need to get to these goals. Slice was in charge of learning all the songs and their parts and nailing down his performance. So I was left with all the logistics, the audio recording, the copyrights, the video recording, the audio and video editing and the video script.

Varios March 2010 103   

The first thing I needed was to have a clear idea of how I was going to do all of this (audio and video) For audio it was clear from square one. I would record all the track’s one at a time and mix them in the box against the original. For this I had all I needed except for some cables and minor details. For the video part of it, it was a complete different story. My choice was to do video in Chroma Key and then add a background this would help me use up my screen real-estate better and have more flexibility. I also decided to take several shots at different angles simultaneously so I could play with the different perspectives. Finally I decided to have a parallel video that was telling the story and use it as a resource to maintain the viewers attention high throughout the full movie.

follow the link DYI Chroma.

So! what has worked so far. It is always good to be ahead of schedule. Specially when schedules are based on estimates and estimates are good will judgment.  Well we have a the recording rig working and already have around 30% of the tracks recorded and some 3 or 4 Songs completed including the mixing and mastering.  On the video side we have done some trials with a DYI home studio and the results where more than acceptable (see video) but this week we got lucky and we have been offered a pro Chroma Studio fully lighted and 5 m. Chroma wall. We have 3 cameras, only one is ours but some friends are helping out. Slice has managed to get some of his friends to provide with some instruments we still require for some tracks. We have some of the Copy Right and are waiting on the rest, we hope they will be OK.

Thanks for reading and I really hope you enjoyed.

Please visit Slice’s channel @ http://www.youtube.com/user/inside71slice

© Ian Burt    

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