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The STW project I have been talking about for the last months get’s its name from “The Wall”, an all time master piece album by the Pink Floyd. STW are the initials to Slice “The Wall”: Slice came up with the idea and is the only performing artist. We have been holding back disclosing this for a number of months, waiting to get some go-ahead’s, we have decided to come out into the light, Why? well, why not?

SWT_NewLogo

The best way to answer is to explain what the project is about. Rock history knows that Pink Floyd released the album “THE WALL” one 30th of November of 1979, the album released as a concept album, where the motive and story behind main theme is well known. There is plenty of information on the internet and dozens of books, so going into it would be presumptuous on my part, others better versed than I have already provided extended and deeper knowledge, so how could I dare. Also common public awareness is the fact that “The wall” over the years has been represented through different platforms, as a live show, as a movie, etc. This brings us to Slice, During the “Roger Waters The Wall” tour through Europe, Slice and I had a chance to see the live performance in Madrid, both Slice and myself are great fans of Pink Floyd, in such a way that Slice has done a few covers for his YouTube channel in the past, of some of the most memorable songs of the band. After the show Slice came up with the idea of doing a cover of the entire album, all 26 songs. I thought that was a great challenge for him he was only 15 at the time, but at the same time the idea was new and surely rewarding if it was done right.

It took us 2 months to decide how we wanted accomplish the different tasks, the schedule, the method, as many bits and pieces as we could. We ended up with a huge list of thing, not big enough to put us off on our desire to embrace this project with all our strength.

A year before STW concept

Before I go into any more detail there are a few things that I need to clarify to avoid misunderstandings:

  1. The entire project is a non-profit quest, all Slice and I get out of this, is the cover and recreation of a master piece we both worship and admire, with the personal satisfaction that this brings with it.
  2. We will not publish this work to the public without the approval of the legitimate owners of the Copy Rights. (Roger Waters, David Gilmour and EMI Group Limited)
  3. The Cover will be published when permissions granted on YouTube on Slice’s Channel and will not be under the name STW or Slice The Wall these are code names during the project development stage, are not registered and hold no commercial value.

Having that out of the way, for what I am happy. Contact has been established with David Gilmour’s managers office in London and they have no objection to the project as long as the IP is not damaged or mistreated. We have sent the same request to Roger Waters office but haven’t received reply yet (witch is understandable being that he is in middle of a tour right now). We have been unable to contact EMI, there seems to be a logical barrier that we have not been able to overcome yet. We have left a few attempts via their web site but we have no idea if they have gone through.

Slice Recording Bass Session 18 STW

Getting on with the project, Slice is going to record all guitars (Electric, Acoustic, Classic & Slide), Bass for all tracks and Piano on all tracks that have piano (not keyboards). in the 26 songs there are over 90 different parts, and some are going to be dubbed. that means nearly 150 tracks to be recorded. we started in August and have recorded 21 session with 87 tracks finished in total, where in most sessions Slice records between 6 and 8 parts, we have had to repeat some early recordings due to sound issues. Our target is to finish all the recording by April and have the mixing finished by July. There is still a fair way to go but we are more confident after every session.

Rough mix not the final thing.

 https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F36489972Slice Cover ABTW2 by Ian Burt

After July and once the audio is all finished, mixed and mastered We will start editing recording and editing the core live performance video, All the video will be treated using the Chroma Key technique. There will be tons of footage we are using up to 6 cameras on every instrument part that sums up to 80×6 in the range of 500 video clips, that need to be selected arranged and edited. One of the things we decided early on, was that expecting to engage our potential viewers for an hour and a half on just a performance of slice would not cut it, we wanted to do something more without making a plagiarism of the film or show. keeping the viewers attention has been and still is a challenge that we haven’t quite solved. One thing that we are going to do is record a side story with Slice as the main character, where he tries to go through the different songs with a personal view, this has not yet taken since we are still working on the script and footage that needs to be decided. A great amount of this resource footage that will be recorded outside the studio, there for we are waiting for better weather.

Slice Session 20 STW piano recording

There is also the Graphics, all Chroma video will be scored upon a virtual background that is being designed for all different scenes.

Please review earlier posts to get further details on the STW project.

I will continue to post on the progress of the project as we move down the schedule.

any enquiry or support please contact me at iaburt@hotmail.com

Support Slice by visiting his You Tube Channel at  http://youtube.com/user/inside71slice

Thanks for reading, I hope you enjoyed.

Ian Burt © 2012

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